Difference between revisions of "The Substation Town Hall"

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|The Board
 
|The Board
* Is it due for an overhaul? The current board has been in place for a very long time. It left The Substation without an Artistic Director for 9 months. Does the board really still care about The Substation if it does not seem to be in its priority to make sure it is not left languishing for so long?
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* Is it due for an overhaul? The current board has been in place for a long time. It left The Substation without an Artistic Director for 9 months. Rarely has one seen an arts organisation left without direction for so long, to the point where artists become very concerned about its fate. Does the board really still care about The Substation? Can it prove it?
 
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* Can there be more transparency  in how the board operates? It is currently like a black box - many artists who have worked with The Substation sometimes don't even know who it is on its board. Even some of us who thought we knew, actually didn't realise that members of the board had stepped down or had reduced their involvement with it.
 
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* Accountability and connection with the artists of today - are the board in touch with the needs of artists today? Do they see what is happening on the ground in the arts today? Are they attending the events at The Substation?
  
 
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Proposed by Alan: to divide the year into two separate seasons - open season and sub season
 
Proposed by Alan: to divide the year into two separate seasons - open season and sub season
 
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* Practical question #1 -
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* Practical question #2 - what if people's timings for projects do not coincide with the same open season
  
 
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Process
 
Process
* Will the emphasis really be about process when we are also talking about producing BLOCKBUSTERS in the same breath?
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* Can the emphasis really be about process when one is trying to talk about producing a 'blockbuster' in the same breath? Experiments and process-oriented practice do not and cannot be expected to always result in a work with instant polish, much less at the end of a residency of less than a year / less than half a year.
  
 
The Public Voice
 
The Public Voice

Revision as of 13:25, 29 February 2016

Note: the content in this page is not mine own only but has been compiled from recent discussions with a number of other artists/art workers and also from other shared google docs.

I felt it was difficult to grasp the enormity of it all so I decided it would be beneficial to divide it into questions on different levels:


Questions about the Future for The Substation
Executive Operations Curatorial
The Board
  • Is it due for an overhaul? The current board has been in place for a long time. It left The Substation without an Artistic Director for 9 months. Rarely has one seen an arts organisation left without direction for so long, to the point where artists become very concerned about its fate. Does the board really still care about The Substation? Can it prove it?
  • Can there be more transparency in how the board operates? It is currently like a black box - many artists who have worked with The Substation sometimes don't even know who it is on its board. Even some of us who thought we knew, actually didn't realise that members of the board had stepped down or had reduced their involvement with it.
  • Accountability and connection with the artists of today - are the board in touch with the needs of artists today? Do they see what is happening on the ground in the arts today? Are they attending the events at The Substation?

Proposed by Alan: to divide the year into two separate seasons - open season and sub season

  • Practical question #1 -
  • Practical question #2 - what if people's timings for projects do not coincide with the same open season

Process

  • Can the emphasis really be about process when one is trying to talk about producing a 'blockbuster' in the same breath? Experiments and process-oriented practice do not and cannot be expected to always result in a work with instant polish, much less at the end of a residency of less than a year / less than half a year.

The Public Voice