Difference between revisions of "The Substation Town Hall"

• Is it due for an overhaul? The current board has been in place for a long time. It left The Substation without an Artistic Director for 9 months. Rarely has one seen an arts organisation left without direction for so long, to the point where artists become very concerned about its fate. Does the board really still care about The Substation? Can it prove it?
• Can there be more transparency in how the board operates? It is currently like a black box - many artists who have worked with The Substation sometimes don't even know who it is on its board. Even some of us who thought we knew, actually didn't realise that members of the board had stepped down or had reduced their involvement with it.
• Accountability and connection with the artists of today - are the board in touch with the needs of artists today? Do they see what is happening on the ground in the arts today? Are they attending the events at The Substation?

Ownership

• Who owns The Substation? Reason stands that it should be the artists who feel ownership of The Substation, yet in reality the building is owned by the government (arts housing), and all of its higher executive decisions are made by its Board, whose ministrations largely remain opaque to the artists within its space. The Board tasks the artistic director to make artistic decisions which affect the community within it. But it has been shown that

Proposed by Alan: to divide the year into two separate seasons - open season and sub season

• Will there be continuation of Partial Support or Venue Support?: In the past, many artists who did not get full support for their projects were sometimes helped by partial substation venue support, which helped make a lot of projects possible. Under the open season, will there still be partially supported events like in the past?

Process

• Can the emphasis really be about process when one is trying to talk about producing a 'blockbuster' in the same breath? Experiments and process-oriented practice do not and cannot be expected to always result in a work with instant polish, much less at the end of a residency of less than a year / less than half a year.

The Public Voice

• Why release a document which represents the AD's unmediated voice of management? BACKGROUND / EARLIER PROPOSAL MAY 12 2015 - By Alan Oei

Inclusivity of communities

• What role would The Substation take on with regards to pushing and defining its margins of inclusivity with regards to the different arts communities that look to Substation as a space to present work. for instance, to have a place (not to be a place) for a community like the punks, young theatre groups and art collectives, musicians and independent dancers / choreographers