Lee Wen addressing the crowd
The Collection and Exchange of Ethnographic Fragments travelled to Aliwal Street the other day, under the invitation of the Independent Archive & Resource Centre. This is an independent archive of materials and documentations of visual arts, performance arts, and other events, and some may also remember this archive previously being at the Singapore Art Museum. It has found its new (temporary) home at Lee Wen’s new place, where we had a kind of “soft launch” or private event to introduce it to people.
About the Independent Archive: “The independent Archive and Resource Centre (working name), is intended to be developed as a professional archive of visual art practices and other cultural manifestations in Singapore. The focus of the archive, especially at its initial stage, is art practices that benefit from archival support — such as visual art practices that are ephemeral, time-based, event and/or specific or that may not be conserved in conventional institutional environments or practices.
A project proposed by Lee Wen, June Yap, Kai Lam, Jason Lee, Hafiz Nasir, Koh Nguang How with the assistance and collaborations of various artists, cultural workers and friends. Many serious minded colleagues of repute and note, younger ones of intense enthusiasm and courageous energies, famed and unknown spirits of inspired momentary wisdom, even dissenting doubters of authentic integrity have contributed to our destined desire in setting up the independent archive and resource centre.
We who prefer to appreciate art in the essences of meaning, values, ethics, aesthetics, whether unilaterally or multilaterally propagated beyond our subscription to Maslow’s hierarchy of needs, calls for an independent archive for reflection, review and research what we have done, what we do today.”
We aim to serve: The maintenance of an archive and resource centre open to the public an access to these materials.
The project is research-driven, to facilitate access to significant art materials (documentation, objects, images, correspondence, etc) and the production of critical discourse that interprets and creates forms of mediation of the archived materials.
The archive is to be open to the public. However its key audience are students, institutions, researchers, curators, artists and academics for further academic, artistic and historical production, that in turn will also be archived, thus expanding the knowledge-base on performance practice and history in Singapore and the region.
The development of the archive and resource centre requires the building of a sound foundation in archival practice. The infrastructure of such an archive and resource centre — and in this, its key value — lies in building an environment and set of practices where these artworks can be reliably and securely archived. Such an infrastructure includes: archival venue with climate-controlled storage, technical facilities for the transfer, backup and editing, indexing, cataloguing and referencing, as well as the development of public access frameworks and channels.
Under the backdrop of this great archive (of which I have found great use for, to watch video documentations of ephemera and performances), the fragments were here for a show and tell.
I gave a talk on the Singapore Psychogeographical Society and its various independent archives.
This was followed by a conversation with the rocks (ie: Lee Wen investigating the sounds the rocks would make with a guitar). And following that, it was an evening of improvisations and jams with Jordan Rais, Reef, Kai Lam, Rahman, Dennis, and many others who had come down that night.
Many thanks to Lee Wen for his amazing archive and for hosting this, and Mike for helping to organise all this and helping with the logistics of all the rock moving! If anyone is interested in getting involved with the Independent Archive & Resource Centre, they are always looking for people, so please get in touch with them.
For more images, see the [Flickr Set]